The following conversation with Kaes comes as NECSUS contemplates the relationship between war and media. We are now in the middle of the centenary of the First World War, and the media coverage is impressive: archival sources, retrospectives, books, and research projects are emerging all over Europe and elsewhere.
The following conversation with Kaes comes as NECSUS contemplates the relationship between war and media. We are now in the middle of the centenary of the First World War, and the media coverage is impressive: archival sources, retrospectives, books, and research projects are emerging all over Europe and elsewhere.Tags: Dissertation BoundAssign Static Ip AddressBest Books On Essay WritingTeaching How To Write A Research PaperShurley English 3 Paragraph EssayHomework For Third GradersRationale Of Research ProposalAssigned To You
Kaes: I have noticed that most of the recent books and exhibitions on the Great War are more concerned with military and diplomatic history than with cultural history.
Unsurprisingly, the most popular war books in 2014 have focused on 1914 and the origins and multiple causes of a global war that mobilised 65 million men worldwide, claimed nine million lives, and resulted in the collapse of four empires.
The first video begins with Private Meek, a 23-year-old with “complete retrograde amnesia, hysterical paralysis, contractures, mutism and universal anaesthesia”, but who makes a complete recovery after a sudden return of memory.
For all that Meek’s first state is truly debilitated, I find the footage of Private Preston which soon follows even more haunting: the intertitles tell us that he “has amnesia, word blindness and word deafness, except to the word ‘bombs'”, and the silent film demonstrates what happens when the doctor says that word — Preston dives under a bed.
Wikipedia: Combat stress reaction (World War One) In this Mind Hacks post on the Wellcome films, Matt Webb explains some of the differences between “shell shock” and post-traumatic stress disorder (PTSD) Cite : Perspectives on 'shell shock' (
p=1391) by Fionnuala Barrett ( licensed as Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales ( Reuse : I am a master's student of nineteenth-century English literature at Lady Margaret Hall, Oxford.
There have been only a few new contributions from the cultural sphere, such as Geert Buelens’ sourcebook on the bellicose writings of European poets and thinkers before and during the war – a sobering document of collective madness.
To my knowledge, no major book on cinema’s role in the First World War has yet appeared in the wave of war titles in the centenary year.
There is no film of Preston’s recovery, if there ever was one.
Preston, Meek and their cohort had more to deal with than their psychological troubles.