Few artists can boast of having changed the course of art history in the way that Marcel Duchamp did.By challenging the very notion of what is art, his first readymades sent shock waves across the art world that can still be felt today.
Few artists can boast of having changed the course of art history in the way that Marcel Duchamp did.By challenging the very notion of what is art, his first readymades sent shock waves across the art world that can still be felt today.Of Eugene and Lucie Duchamp's seven children, one died as an infant and four became successful artists.Tags: Philosophy Critical ThinkingHigher Persuasive Essay StructureEffective Introduction For EssaysLuthers Martin ThesisAnti Animal Rights EssayPlease Help Me With My EssayProposal Examples For Research PapersPower Corrupts People EssayAcknowledgement Thesis Msc
At eight years old, Duchamp followed in his brothers' footsteps when he left home and began schooling at the Lycée Pierre-Corneille, in Rouen.
Two other students in his class also became well-known artists and lasting friends: Robert Antoine Pinchon and Pierre Dumont.
The linguistic dimension of his work in particular paved the way for Conceptual art.
The artistic inquiries of the highly innovative Cubists were not enough for Duchamp, he continued such early experiments throughout a life that was questioning, redefining, and unorthodox - leading to art beyond what the world thought possible.
Instead, Duchamp wanted to use art to serve the mind.
Three Duchamp brothers, left to right: Marcel Duchamp, Jacques Villon, and Raymond Duchamp-Villon in the garden of Jacques Villon's studio in Puteaux, France, 1914, (Smithsonian Institution collections), his maternal grandfather, filled the house, and the family liked to play chess, read books, paint, and make music together.
Duchamp frequently resorted to puns and double-meanings in his work.
With The Large Glass, he sought to make an artwork that could be both visually experienced and "read" as a text.
Duchamp's ongoing preoccupation with the mechanisms of desire and human sexuality as well as his fondness for wordplay aligns his work with that of Surrealists, although he steadfastly refused to be affiliated with any specific artistic movement per se.
In his insistence that art should be driven by ideas above all, Duchamp is generally considered to be the father of Conceptual art.