Fried Green Tomatos Essay

Fried Green Tomatos Essay-16
Lee Lynch, a disgruntled columnist from the "Don't even ask me what I thought about the film FRIED GREEN TOMATOES which demonstrated the most adept straddling of antithetical worlds I've ever seen.Yes, the lesbianism could have plucked at those queer little heartstrings, but my non-Gay acquaintances assure me that you didn't have to see it, wouldn't see it, if you didn't want to" (47).It's not until she's grown and running the Cafe that he finally speaks.

Lee Lynch, a disgruntled columnist from the "Don't even ask me what I thought about the film FRIED GREEN TOMATOES which demonstrated the most adept straddling of antithetical worlds I've ever seen.Yes, the lesbianism could have plucked at those queer little heartstrings, but my non-Gay acquaintances assure me that you didn't have to see it, wouldn't see it, if you didn't want to" (47).It's not until she's grown and running the Cafe that he finally speaks.

But for all her heroism, the next time we see her in the restaurant, she is shuffling across the floor in loose shoes, a grin on her face, obviously happy to be at the service of these white folks.

However, confusing this sort of behavior with "real affection" as do the producers of FRIED GREEN TOMATOES, is to deny the horrors of being Black in the South during this period.

The two main African American characters, Big George and Sipsey, are clearly devoted to Idgie, their boss — Big George to doglike proportions.

As Ninny says, "He watched over [Idgie] night and day." At first it seems as though he is mute; in several scenes, he stands passively waiting for Idgie.

She risks her life to save Ruth's baby from the evil ex-husband, Frank Bennett, when he comes to kidnap the child.

Then, in spite of being injured, she manages to kill him.As William Alexander Percy, a Mississippi planter, wrote in his 1941 autobiography, "It is true in the South that whites and blacks live side by side, exchange affection liberally, and believe they have an innate and miraculous understanding of one another.But the sober fact is we understand one another not at all" (Goldfield 4). Blacks are deferential to whites, but we never find out the reasons why.The movie grossed .4 million by its second month of release, not had for a film that cost million to produce (Fox).Critics have praised FRIED GREEN TOMATOES' sepia colored depiction of life in the rural south, and surprisingly in a town that favors babes, bangs and blood, the film copped an award from the Writer's Guild for best screenplay based on material from another medium (Weinraub C21)., the film is a story within a story of Southern female friendship and love.Correcting the erroneous stereotypes of Southerners wasn't Flagg's only intention though; she also planned to show the affection that existed between blacks and whites."People don't realize how much love there was — and still is between the races," she added, remembering her grandmother's stories about how blacks and whites pulled together during the Depression (Clendenin 14). The Black perspective of these friendships is missing, although not surprisingly so.The movie opens when Evelyn Couch, an unhappy housewife, meets tip with Ninny Threadgoode, a resident of a nursing home.Ninny begins telling the story of Idgie and Ruth, two Depression-era women who love each other, raise a child together, befriend African Americans and run the Whistle Stop Cafe.From 1889 to 1930 there were 3,798 reported lynchings in the United States, most of which occurred in the South (Commission on Interracial Cooperation 7).Even though white individuals may have had great affection for their black employees, the atmosphere was not conducive to genuine reciprocity.

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