Frida Kahlo Essay Analysis Paintings Works Art

Frida Kahlo Essay Analysis Paintings Works Art-39
One can observe an explicit mirror-reflexion of the doubled Fridas, who are wearing different clothes.

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She enrolled at Mexico City’s prestigious National Preparatory School in 1922 where she was one of only thirty-five women among the 2000 students; early on, her aim was to study medicine.

In 1925 she was involved in a traffic accident that ended her formal studies. Early works demonstrate intellectual curiosity about avant-garde innovations, combined with the deliberately naïve style of painting in vogue in postrevolutionary Mexico and elsewhere that drew inspiration from folk art and provincial and nonacademic painting.

Generally, the mood of the picture is suppressing and overwhelming, which is being majorly achieved by the predominant hues of the painting.

The latter are dirty white, grey, dark blue and dark green.

Like the muralists, not least her husband Diego Rivera (see the separate Oxford Bibliographies article “Diego Rivera”), Kahlo considered painting a social and political act central to the creation of a revolutionary Mexico, yet she produced fewer than two hundred paintings and fewer than one hundred works on paper.

In a 1943 essay, Rivera praised her as the paragon of Mexican revolutionary painting.In contrast, there is neither bloodline cut, nor heart cut on half.Hence, we can state that a picture has two planes – the foreground and the background.Her influences range from Italian early Renaissance and Mannerist painting to Indian miniatures, Mexican folk art and social realism, and German Neue Sachlichkeit and the Italian pittura metafisica, and of course, surrealism.While she may have drawn inspiration from her life’s experience, her art was much more than unmediated psychological expression or autobiography in paint as some sources claim.Being autobiographical, “Two Fridas” became the result of the artist’s pain and personal tragedy of divorce from Diego Rivera.The picture was managed in 1939 in oil and is being accepted as early Mexican surrealism [Davis, p.7].Kahlo’s present iconic status results in part from an oversimplified understanding as well as admiration for her creativity and perseverance, all of which fuel the mythologizing phenomenon known as Fridamania.Kahlo biographies are a lucrative commercial industry aimed at readers at all levels from children to teens, general audiences, and college students. She is known for her self-portraits, which may appear straightforward and narrative, but throughout her career she employed allegory and complex symbolism. 1954) is one of the world’s most widely recognized artists, that attention is often focused more on her dramatic life story than on the complexity of her intellect and artistic production.

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