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His friendship with Hazlitt facilitated a conversation between their essays. there are striking similarities between their essays, such as Lamb's "New Year's Eve" and Hazlitt's "On the Past and Future." (1) A month after "Elia" first appeared in the magazine, Hazlitt's essay "On the Conversation of Ant ns" referred to Lamb's visit to Oxford, and how he "walked gowned" among its quadrangles--an allusion to Lamb's sonnet written at Cambridge, "I was not trained in academic bowers" (LM 2: 261).
In October, the second Elia essay, "Oxford in the Vacation," offered a subtle hint to Elia's real identity. the only living named participant, but rebukes him: "I cannot indulge von in your definition. We will have nothing said or done syllogistically this day" (LM 3: 362).
Charles Lamb (February 10, 1775 – December 27, 1834) was an English essayist and poet, best known for his Essays of Elia and for the children's book Tales from Shakespeare, which he produced along with his sister, Mary Lamb.
CHARLES LAMB AS A PERSONAL ESSAYIST Charles Lamb has been acclaimed by common consent as the Prince among English essayist.
They traverse a peculiar field of observation, sequestered from general interest, and they are composed in a spirit too delicate and unobtrusive to catch the ear of the noisy crowd, clamouring for strong sensations.
This retiring delicacy itself, the pensiveness chequered by gleams of the fanciful, and the humour that is touched with cross-lights of pathos, together with the picturesque For example, in Christ’s Hospital he tells about his days of childhood at the Temple, in Blakesmoor in Hertfordshire, he describes his boyish days of fun and merry making, his holiday trips to the sea-side with his sister Mary, his recovery from serious illness, the drudgery of the office work and other various details of his life.
In Hazlitt's opinion the interpretation of Scripture had provided one of the most fertile sources of fanaticism.
Early 19th-century phenomena such as biliomania and the figure of the bookman helped to spark a widespread awareness of books as printed objects and an interest in the physical dimensions of the readerly relationship to them.