Essay His Life Paul Strand Work

Essay His Life Paul Strand Work-64
The themes in Strand’s work changed drastically and he focused on movement in the city, abstractions and street portraits.(Department of photographs, 2004)New York had become a vibrant city filled with different types of people jamming the streets with pedestrians, carriages and automobiles.The exhibition made him realise that photography was not just a simple hobby and he could have a career from it.

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He was interested in capturing the social problems of the time and highlighting the plight of the people who weren’t able to voice their plight.

His work was based at a time of deep despair and depression and Strand was focused on creating work that was socially aware.

It was very essential that people looked like they were unaware they were being photographed and he even used fake lens to capture the real essence of the people.

By doing this he was able to capture the rawness and reality of these people.

By breaking away from the norm he was able to the abstract objects and capture the hustle of the rising metropolis New York.

His love for photography led to a career in film as well.After some time his images became more complex and the tempo increased with his compositions featuring the crowds of downtown.(Department of photographs, 2004)Strand said “how you build a picture, what a picture consists of, how shapes are related to each other, how spaces are filled, how the whole thing must have a kind of unity.” (Department of photographs, 2004) Strand focused on these points at his summer cottage in Connecticut.Despite his love for photography Strand was also an avid film maker with the use of narrative he was able to tell the stories of the disadvantaged.In 1921 he collaborated with Charles Scheeler on his first documentary film called Manhatta.He produced many books and this became his new forum of expression he enjoyed the narrative format of the books.He also utilised text with the images to expand on the narrative in the images, he wanted to mimic the narrative elements of film in his books.He focused on capturing the image as it was in the view finder and not manipulating the image in the dark room.With the use of a large format camera he was able to capture maximum detail by using a 64 aperture.Born in New York on the 16 October 1890 he began his love for photography when his father gave him a camera at age 12.He attended the Ethical Cultural School where he was influenced by one of his teachers Lewis Hine.


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