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One of the visitors asks the somnambulist an extremely brainy question: "How long will I live?" The freak answers: "You will die tomorrow." Interestingly, the man -instead of laughing- seems very worried about the somnambulist's prediction. The art direction was managed by Walter Reimann and Walter Roehrig, fellow members of the "Der Sturm group", a Berlin expressionist art group, featuring world famous artists such as Bruno Taut and Herwarth Walden.
Throughout the 1910s and 1920s, German Expressionist films—such as were contextualized by their release in the politically-isolated Germany.
While the Expressionist movement was affecting the whole of Europe, encouraging artists to follow bolder threads of inspiration and embrace the unrealistic, German Expressionism developed its own course, due in large part to its seclusion.
Other German filmmakers fled to the United States, where they were embraced by the rapidly growing institution of Hollywood.
The styles of the German Expressionists influenced two American film genres in particular: horror and film noir.
German Expressionism was one branch of a broader Expressionistic movement in European art, typified by its exploration of subjective experience, distorted perspectives, and a privileging of meaning and emotionality over physical verisimilitude and realism.
Perhaps the most archetypal example of an Expressionistic work is painter Edvard Munch's , oriented as it was in the German film world of 1920, is more specifically connected to German Expressionism, which was particularly tied to Berlin in the years after WWI.
But while Blade Runner and 2001 predictions had been quite erroneous (I haven't seen any replicant out there, and Saturn is still a bit difficult to reach) Metropolis fatalist vision of the working class is a cruel metaphor still valid in our times.
is considered the quintessential cinematic example of German Expressionism, an artistic movement that began before WWI and reached its prime in 1920.
The topics explored included isolation, alienation, madness, betrayal.
As WWII erupted in Germany, and Nazis took control of the government, many German Expressionist filmmakers fled the country.