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a horrible feeling of nausea came over me, which, do what I would, I could not conceal.” (27)“When the Count saw my face, his eyes blazed with a sort of demonaic fury, and he suddenly made a grab at my throat.
Likewise, the Industrial Revolution brought profound economic and social change to the previously agrarian England.
Though Stoker begins his novel in a ruined castle—a traditional Gothic setting—he soon moves the action to Victorian London, where the advancements of modernity are largely responsible for the ease with which the count preys upon English society.
Argue that is a particularly excellent example of the Gothic genre by relying heavily upon textual support.
You may wish to incorporate an intertextual analysis into this essay, in which you compare and contrast is related to sexuality.
Only Van Helsing, whose facility with modern medical techniques is tempered with open-mindedness about ancient legends and non-Western folk remedies, comes close to understanding Lucy’s affliction.
In Chapter XVII, when Van Helsing warns Seward that “to rid the earth of this terrible monster we must have all the knowledge and all the help which we can get,” he literally means all the knowledge.
Van Helsing works not only to understand modern Western methods, but to incorporate the ancient and foreign schools of thought that the modern West dismisses.
“It is the fault of our science,” he says, “that it wants to explain all; and if it explain not, then it says there is nothing to explain.” Here, Van Helsing points to the dire consequences of subscribing only to contemporary currents of thought.
It made an instant change in him, for the fury passed so quickly that I could hardly believe that it was ever there.” (36)“The fair girl went on her knees and bent over me, fairly gloating.
There was a deliberate voluptuousness which was both thrilling and repulsive, and as she arched her neck she actually licked her lips like an animal…