Arnheim Film Essays

Arnheim Film Essays-15
I have to gripe at his indictment of the future of cinema and bemoaning the "death of cinema" or whatever, with the coming of sound and color; his views here seemed kinda pretentious and closed-minded.That being said I appreciate his love and admiration of silent film.

I have to gripe at his indictment of the future of cinema and bemoaning the "death of cinema" or whatever, with the coming of sound and color; his views here seemed kinda pretentious and closed-minded.

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Not to bring down Arnheim because he does a good job of disproving these claims very thoroughly.

I have to gripe at his indictment of the future of cinema and b2.5As much as this book likes to think it's relevant today (see opening of book), it's really not.

Regardless, he makes generalized statements about what constitutes an 'art'.

He also relies heavily on assumptions of what the future cinema might entail - this leads him to make false claims about the (lack of) artistic merits of sound film, colour film, 3D film, and other ty Arnheim's anatomical survey of how film form differs perceptually from the then-hegemonic contention that "film is a mechanical reproduction of reality" merits some praise for its counter-hypothesis to realist film theory.

We allowed silent film time to bring at least a couple of well-formed products into the world.

Arnheim Film Essays Critical Thinking Requires

From here on in, however, Progress will be in an even greater rush.

The developments of the past two years have made this whole pious swindle painfully clear.

For the people would rather have pictures than a bible.

Especially when we understand that sound film is more than just an addition to silent film, that it is, rather, an artistic activity unto itself, we ought to reject the popular opinion that it represents an “advance”, one automatically condemning the previous method to the compost heap.

Sound film is not an advance, but a new thing entirely – and that is undoubtedly a mixed blessing.

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