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It's not enough emphasizing on sound only, the sound must correspond to the sense.When describing zephyr blows gently, the strain is soft and the smooth stream flows in smoother numbers.
They judge a poet to be right or wrong depending on whether the tone is smooth or rough.
After the end of the Restoration period (around 1714, when the last Stuart monarch, Anne, died and the German ruling family, the Hanovers, took over in the form of George I), the stage in England becomes a pretty dismal place, and for the most part remains that way until the late 19th century. After the death of Pope and Swift, poetry is no longer the preferred form and the prose works of this period are much stronger.
But most by numbers judge a poet's song; And smooth or rough, with them is right or wrong: In the bright Muse though thousand charms conspire, Her voice is all these tuneful fools admire, Who haunt Parnassus but to please their ear, Not mend their minds; as some to church repair, Not for the doctrine, but the music there.
If there is line saying a crystal stream, "with pleasing murmurs creep" will follow behind.
Then readers can predict the following word to be " sleep."Then, at the end a couplet contains with some unmeaning things that those poets call a thought ends the poem with a needless Alexandrine.